OCTOBER, 2012
MPRO Celebrates 50th Year Anniversary By Frederic Palmer
William
Barnhart directs the Mid-Peninsula Orchestra during one of its first
meetings in November of 1962. Photo from the Palo Alto
Times.
The
story has now become almost legendary:
In the spring of 1962 Ampex engineer William
Barnhart invited some of his fellow recorder players to a day of music making
in the woods of Huddart Park. About one hundred and fifty people
showed up. Encouraged by this
turnout, he decided to form an ensemble in the Palo Alto area devoted to
exploring the musical repertoire for recorders and other early
instruments. The first meeting of
this ensemble took place at Loma Vista Elementary School in Palo Alto on
September 5, 1962, and the Mid-Peninsula Recorder Orchestra was born. ÒI didnÕt know quite what to expect at
our first meeting,Ó Bill said during an interview published in the November 6,
1962 issue of the Palo Alto Times. ÒI didnÕt know how the degrees of
talent and different kinds of instruments would balance out. But the result was wonderful. They sounded great.Ó Bill went on to explain that one of the
reasons for forming the ensemble was his desire to promote amateur music
making: ÒThe reason I went for a
recorder group was not because of the old instruments as such, but because
theyÕre better suited for amateur music.Ó
Another reason for BillÕs forming this new ensemble was to give recorder
players the experience of playing with others and raise each memberÕs
performance standards. In 1962,
there were no organizations devoted to amateur recorder playing on the
Peninsula, and the nearest chapters of the American Recorder Society were in
Berkeley and Marin County. So,
there was a real need for the kind of ensemble Bill had established to serve
the large number of recorder players who lived in Palo Alto and the surrounding
cities. Bill also added in the interview,
ÒItÕs also fun for me, too. I
always wanted to conduct a group like this. IÕm having a ball.Ó
In a short history of MPRO by
Phil Hand and Angela Owen, charter members of the orchestra, first published in
the September 1981 issue of the MPRO newsletter, we find a slightly different
slant on BillÕs experiences as a fledgling conductor: ÒÉpeople would gather once a weekÉand
give Bill every opportunity to learn the trials and tribulations of an
aspiring conductor: ---Ôseparate
those notes!Õ ---ÔThrow it away!Õ ---ÔIs your instrument pushed all the
way in?Õ ---ÔDonÕt speed up!Õ ---ÔdonÕt slow down!ÕÓ Under BillÕs direction the
essential features of the orchestra were established. From the outset MPRO included great bass
recorders as well as the common varieties from sopranino
through bass. Capped double reeds, krummhorns and sorduns, were part
of the orchestra from the beginning, as was a viola da
gamba. By
1966 a harpsichord had also been added.
There was also a strong commitment to regular performance, and this had
been one of BillÕs goals when establishing the orchestra. MPROÕs first concert took place on May
6, 1963, and the program featured the orchestra as well as small ensembles made
up of MPRO members and guest performers.
While Bill was director, the orchestra appeared on Public Television
station KQED, performed at the Palace of the Legion of Honor and gave concerts
in the Palo Alto area. Members of
MPRO provided the recorders needed for two performances of NoyeÕs Fludde by Benjamin Britten presented on
May 3 and 5 of 1967 in Palo Alto.
Consorts representing MPRO also took part in community outreach
activities during the orchestraÕs first five years and performed for a wide
variety of local organizations. The
first workshop presented by MPRO took place in 1963 and was directed by LaNoue Davenport.
Over the next four years, the orchestra presented workshops directed by
Friedrich von Huene, Gloria Ramsey and Hans Ulrich Staeps. MPRO meetings were originally
weekly. In 1965, the orchestraÕs
meeting location was changed to Gunn High School in Palo Alto, and in 1966
meetings began to be held monthly and were divided into three parts: First, there would be performances by
small ensembles, next everyone would participate in orchestral playing and
finally those attending would be divided into two groups, each working on
separate music with its own conductor. The first four years of the
orchestraÕs existence were the result of a team effort on the part of Bill and
his wife Ilse to make MPRO a viable musical
organization. In addition to
playing recorder and viola da gamba
in the orchestra, Ilse also took on several essential
duties during those four years.
These included collecting membership dues, ordering music from Germany
and welcoming newcomers to the orchestra.
When MPRO was reorganized in 1966 and a set of officers began to oversee
its operation, Ilse served as consort coordinator and
helped members of the orchestra form and maintain small ensembles. The reorganization that took place was
meant to increase the orchestraÕs membership and overall member participation
in its activities as well as to relieve Bill and Ilse
of many of the routine tasks involved in running MPRO. Part of the reorganization also involved
making Angela Owen co-conductor of the orchestra at its meetings along with
Bill Barnhart so that the members present could be divided at the end of each
session into two large ensembles.
Bill continued as MPROÕs music director, selecting music for meetings
and performances, conducting concerts and arranging for performance venues as
well as guest artists. Reminders
sent to the membership in advance of monthly meetings began in November of 1966
and contained a list of the music scheduled to be played, news items and other
announcements. By May of 1967 these
reminders had become a newsletter for the orchestra. (To
be continued in the November issue of Upbeat) ConductorÕs Corner Listed below is the music for the
next two meetings of the orchestra. Please note that there will be sectional
seating for the Stradella
Sonata, with those playing the Soprano 1 and 2, Alto 1 and Bass 1 parts sitting
on the right as they face the conductor and those playing Alto 2, Tenor, Bass 2
and Contrabass on the left.
Please observe this seating arrangement when you choose your place at
the beginning of the meetings on November 7. Please note as well that sopranino and contrabass recorders as well as bass viola da gamba will be needed at both
meetings, great bass recorders on November 7, and dulcien
and krummhorns, on October 24. October 24 Bloomer Duessen: Impressions
Around G Albinoni: Adagio Op. 9, No. 8 Praetorius: Psalite, unigenito Schmelzer: Sonata ˆ 7 November 7 Dufay: Adieu ces bons vins
de Lannoys Bloomer Duessen: Impressions
Around G Stradella: Sonata I
look forward to seeing you at these upcoming meetings.
Sincerely, Fred Palmer u u u u u u u u u MPRO has Four New Members We
are pleased to report that the following persons have joined MPRO: Participating
Members: Dana Wagner, Judith
Unsicker Student Members: Jeoung Park Gregor Dairaghi Welcome to MPRO! u u u u u MPROÕS Workshop Ð Save the Date! The Mid-Peninsula Recorder Orchestra will present a
workshop on Saturday, January 19, 2013 from 9:30 A.M. to 4:30 P.M. at Holy
Trinity Episcopal Church, 330 Ravenswood Avenue in
Menlo Park. The workshop
will feature the
music of Spain and colonial Latin America from the 16th to the 18th
centuries. The workshop will be
directed by Claudia Gant’var, who has a Concert
Diploma in recorder from the Conservatory of Music in Geneva, has served as
professor of early music studies at the University of Columbia in Bogat‡ and is the founder of the ensemble La Esfera Armoniosa. She has performed throughout Europe as
well as in Latin America. For further information please contact Liz
Brownell. u u u u u Receiving UpBeat by
E-Mail? Please tell our Membership
Chairman, Chris
Flake, that you donÕt need the paper copy of UpBeat
any more.
The Board: President: Amy Booth; Treasurer: Leslie Pont; Membership: Chris Flake; Publicity: Mary Jeanne Fenn; & Marguerite Dilley; Newsletter Editor: Dick Davies; Music
Sales: Laura Gonsalves; Graphics: Mary Ashley; Webmaster: Dan Chernikoff; Workshop Coordinator: TBD; Consort Coordinator: TBD; Hospitality: Stevie White & Claire Heinzelman; Historian: TBD; Music
Director: Fred Palmer. MPRO website: < http://www.mpro-online.org >
The Early Days (1962-1967), Part 1